by Artist (14)
Expanded Documentary
Mostly spanning across the 21st century and late 20th century, Expanded Documentary expresses the changing nature of photography as technology and people evolve. It purposely explores new and interesting ways to capture photos. In many cases it focuses on the increasingly blurry relationship between artist, subject, and viewer. Oftentimes, it calls into question how we take photos to be explicit documents of a moment, when in reality the meanings of photos arise from people. Expanded Documentary is an exploration of photography in an innovative way, meant to capture attention and dialogue about what the purpose of a photo is.
| Showing 51 to 75 of 75 Records |
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| Title | Artist | Medium & Support | Creation Date |
| Dad: No. 7, After The Burn | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2010 |
| Dad: No. 8, The Gardener, The Spring Portrait | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 9, Human Fabric, The Summer Portrait | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 10, Happy 79th Birthday | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 11, House of Photographs | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2010 |
| Dad: No. 12, Reflection | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 13, Afterglow | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2010 |
| Dad: No. 14, Positive Pressure | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 15, Sleeping Warrior | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 16, The Surrender | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 17, Hogjaw and Forearm | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 18, Live Birth | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 19, The Present | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 20, Salvation | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| Dad: No. 21, The Man and the Moon | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2010 |
| Dad: No. 22, Awakening, A Peaceful Dawn | Black, Sean | Archival inkjet print on warm-toned baryta coated Inkpress Pro paper | 2009 |
| How Old Are Flowers? | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| How Old Are Ideas? | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| How Old Are Mushroom Clouds? | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| Human Eyes Are 200,000 Years Old. | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| How Old Is Rain? | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| How Old Is Toxic Waste? | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| How Old Are Hopes And Dreams? | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| Who Owns Nature? | Pinkel, Sheila | Photographic materials on paper | 2004-2005 |
| Full/Empty | Pinkel, Sheila | Ink on paper | ca. 1996 |
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