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Chikanobu Yoshu, Japanese, (1838–1912)
Wife of Kusunoki Masashige, 1894
Ink on Paper
14 in. x 18 1/2 in. (35.56 cm x 46.99 cm)


Object Type: Print
Technique: Wood-block Printing
Period: Meiji (Japan, 1869-1912)
Credit Line: Purchased with funds from the Aoki Endowment for Japanese Arts and Cultures
Accession Number: 98.4.2


Alternate Title: Nihon meijo banashi: Masashige no tsuma

Commentary
Previously bound with accension numbers 98.4.1-98.4.43 in a book.
Please see our second version, 2004.1.30

Marks
Unsigned.

Medium
Colored ink woodblock on paper; diptych.
Please see the second version in the Collection: 2004.1.30

Object Description
The ten year old boy Kusunoki Masatsura (1326-48), following his father's defeat and death at the Battle of Minatogawa in 1336, considered committing suicide, but his mother stopped him, reminding him of his moral obligations to support the emperor and to lead his family. Masatsura would go on to be an important warrior for the imperial cause, and the wife of Kusunoki Masashige (1294-1336) would be honored later as the epitome of a strong and virtuous mother. Chikanobu has presented this scene in front of a folding screen / byobu that carries an ink painting of the White-robed Kannon, the Bodhisattva of Compassion, an appropriate Buddhist deity to oversee this emotional parental appeal. Kusunoki Masashige has long been considered the paragon of devotion and loyalty to the emperor. He valiantly supported Emperor Go-Daigo (1288-1339) in his efforts to rest control of the government from military clans in Kamakura in order to establish direct imperial rule. Thus, in the Meiji Period when shogunal leaders were again overturned and replaced by agents of the emperor, Masashige, his wife and two sons became even more famous as examples of selfless loyalty. Both Masashige in 1336 and his sons in 1348 were asked by their emperors to fight battles in which the imperial forces were vastly outnumbered, and each warrior dutifully followed imperial commands, knowing death was certain. For more information, please refer to the Chikanobu exhibition catalogue.

Provenance
Purchased in Japan by Professor Bruce Coates in 1998, with funds from the Aoki Endowment for Japanese Arts and Cultures.

Publisher
Takegawa Seikichi.

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