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Tsukioka Yoshitoshi (aka Yoshitoshi), Japanese, (1839–1892)
Lady Kayo Holding a Severed Head, 1865
Ink on Paper
13 9/16 in. x 8 7/8 in. (344.49 mm x 225.43 mm)


Object Type: Print
Technique: Wood-block Printing
Period: Edo (Japan, 1615-1868)
Credit Line: Gift of Mr. and Mrs. Fred Marer
Accession Number: 93.3.23


Alternate Title: Wakan kyaku monogatari: Kayo Fujin
Full Title: One Hundred Stories of China and Japan: Lady Kayo Holding a Severed Head

Commentary
Tamamo No Mae as Lady Kayu:  In the novel "Ehon Yofuden," the writer Takai Ranzan described how a nin-tailed fox took the forms of beautiful women in order to destroy political leaders.  Here lady Kayu, the consort of a South Indian prince, is shown with several severed heads.  Yoshitoshi uses elaborate sashes and jewels to suggest the Indian sari and has devised unusual palm trees to create a setting for this foreign ghost story.

Marks
Japanese text printed in the upper left of the image. On mat, in pencil: Marer 43. Signed: Ikkaisai Yoshitoshi ga. Censor's seal: Aratame and date (Ushi-ni) on single seal.

Medium
Colored ink woodblock on paper; oban.

Object Description
Edo period Japanese color woodblock print with an image of a woman holding a severed head.

The beautiful but evil woman who ruined a nation by seducing its ruler away from his duties was a familiar subject during certain periods of Chinese and Japanese history. In the popular imagination, the downfall of the T'ang dynasty was caused by the infatuation of the last emperor, Hsuan Tsung, for his consort Yang Kueifei, and in Tokugawa Japan courtesans were called keisei (“castle destroyers”), an epithet the Sung poet Su T'ung-po had applied to Yang. In the nineteenth century, as Japanese men began to face a crisis of personal power, the image of the powerful and bewitching woman became increasingly common in popular literature and pictorial art.

“Lady Kayo was a character in Ehon yofuden (The Story of the Magic Fox Woman), a fifteen-volume novel by Takai Ranzan with illustrations by Teisai Hokuba published between 1804 and 1805 and soon adapted for the Kabuki theater. The book describes the adventures, or misadventures, of a golden fox with nine tails whose various manifestations possessed the consorts of rulers in India, China, and Japan. In each kingdom, the fox caused havoc until it was recognized and exorcised or otherwise dispatched. In the novel, Lady Kayo was the consort of Prince Hanzoku, a ruler in southern India. She took ill, and a physician, suspecting her true nature, gave her a special herb, whereupon the fox assumed its true shape and flew into the air.

“Yoshitoshi's Lady Kayo is far more menacing than the character in the novel, who murdered neither the prince nor his councillors. In the print, she is dressed in a vaguely European costume, and the three severed heads with their long curly hair appear to be Caucasian. By 1865 Yoshitoshi had already designed several overtly anti-foreign battle triptychs that obviously appealed to proponents of the imperial restoration, whose slogan was “Respect the emperor, expel the barbarian (Sonno joi). The text on the print is by Kikuyotei Roko.

(Ref. Keyes, Roger, and George Kuwayama. "The Bizarre Imagery of Yoshitoshi: The Herbert R. Cole Collection," p. 32)

Publisher
Daikin.

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