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Fifty-three Stations of the Tokaido: Station 52, Ishibe

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Ando Hiroshige (aka Hiroshige), Japanese, (1797–1858)
Fifty-three Stations of the Tokaido: Station 52, Ishibe, c. 1833-1834
Ink on Paper
8 5/8 in. x 13 5/8 in. (219.08 mm x 346.08 mm)


Object Type: Print
Technique: Wood-block Printing
Period: Edo (Japan, 1615-1868)
Credit Line: Gift of Mrs. Frederick S. Bailey
Accession Number: 54.1.7


Alternate Title: Tokaido gojusan tsugi no uchi [Hoeidoban]: Ishibe, Megawanosato

Commentary
Same image as 46.1.51 and 54.1.5.

Marks
On paper backing in pencil: Hiroshige, 54.1.7, Ishibe Station. Signed: Hiroshige ga.

Medium
Nishiki-e, horizontal oban; colored ink on paper.

Object Description
Color woodblock print with an image of a village scene of Mekawa.

Travelers drop in and out of a large teahouse at the village of Mekawa near Ishibe. Iseya, the store in this scene, was known for its specialties---dishes of bean curd (tofu) coated with bean paste, and rice boiled with vegetables.
The storefront is covered by a large overhang that is open and without walls, making a sheltered, airy place for travelers. A bench is placed at one corner, and at the other end, a large marsh-reed screen protects patrons from the direct sun. Around the front and sides of the overhang is a short curtain (noren) with the store's name in white letters against the dyed dark blue background. In katazome, this method of dyeing, a rice-paste resist is applied by pencil to define the design, or as here the characters on the sign. This substance resists the dye, and ultimately the stenciled design appears in white---the natural color of the cloth---against a dyed ground.
The red tembokashi in the sky expresses the feeling of morning.
(ref. “Hokusai and Hiroshige,” p.215 )

Publisher
Hoeido (Takenouchi Magohachi) seal.

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