Fifty-three Stations of the Tokaido: Station 36, Goyu, c. 1833-1834
Ink on Paper
8 15/16 in. x 13 3/4 in. (227.01 mm x 349.25 mm)
Singer, Robert T. and Melinda Takeuchi. Edo Art in Japan 1615-1868. New Haven and London: Yale University Press., 1998.
Same image as 46.1.3, except that this image has a 'Takenouchi-ban' sign on the wall inside the shop, and 46.1.3 has an empty circle on the wall.
On verso in pencil, lower right: Jo XIII 36; on verso in pencil, lower left: $3.50 93. On mat in pencil: John. Col. XVIII 36-1.
Nishiki-e, horizontal oban; colored ink on paper.
Color woodblock print with an image of travellers in the middle of a street, which is flanked by buildings. Women in the building to the right solicit the travellers.
Like Teahouse at Mariko this print shows an evening scene, but the mood is quite different. While samurai were accorded differential treatment when they stopped for a night's lodging, commoners were occasionally met with a directness bordering on ferocity. Keen competition for travelers' business led to a no-holds-barred approach, from sleeve grabbing to a stranglehold. Seldom in Japanese art (or any art) has such a range of facial expressions been presented: the agonized grimace of the man being choked, the bovine determination of his assailant, the satisfied malevolence of the ringleader, and finally, the resigned boredom of the woman watching from the window, who probably witnesses similar scenes every evening. The guest soaking his feet inside politely averts his eyes. The names of the artist, publisher, carver, designer, and printer are cleverly included in the advertised fare of the inn, providing rare documentation of otherwise little-known participants in printmaking.
Hoeido (Takenouchi Magohachi) seal.
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